The attractive title track also became a minor hit single, although Gabor Szabo's 1971 recording with composer Bobby Womack is even more fetching. Yet it is the sole vocal track (his first in many years), Leon Russell's "This Masquerade" - where George unveiled his new trademark, scatting along with a single-string guitar solo - that reached number ten on the pop singles chart and drove the album all the way to number one on the pop (!) LP chart.
Breezin george benson genre crack#
Most of Breezin' is a softer-focused variation of Benson's R&B/jazz-flavored CTI work, his guitar as assured and fluid as ever with Claus Ogerman providing the suave orchestral backdrops and his crack then-working band (including Ronnie Foster on keyboards and sparkplug Phil Upchurch on rhythm guitar) pumping up the funk element.
Phil Upchurch - Bass, Guitar, Guitar (Rhythm)Īll of a sudden, George Benson became a pop superstar with this album, thanks to its least representative track.
Breezin george benson genre pdf#
In order to continue read the entire music sheet of Breezin By George Benson you need to signup, download music sheet notes in pdf format also available for offline reading. In 1976, George Benson redefined the world of jazz by garnering the first platinum jazz album with his trailblazing Breezin’.A true virtuoso performance, the passionate 6-song set was produced by Tommy LiPumaand find’s the gifted singer/guitarist flanked by keyboardists Ronnie Foster and Jorge Dalto, rhythm guitarist Phil Upchurch, drummer Harvey Mason, bass player Stanley Banks and. Breezin' remains an easily accessible introduction to jazz newbies.Ronnie Foster - Keyboards, Moog Synthesizer, Piano, Piano (Electric) Breezin By George Benson We give you 6 pages partial preview of Breezin By George Benson music sheet that you can try for free. Unlike many of the smooth artists of today, his talents have never forsaken his straighter roots. But what is significant in the year 2001 is that underneath all that production is an extremely talented guitarist.
His vocals on the "This Masquerade" turned the one time Wes Montgomery protege into a pop star. Synthesizers, electric pianos, and lush orchestration feed into the polyester and Dacron worlds of the disco era. In the late seventies, as well as today LiPuma understood the devices needed to sell jazz to a larger audience than to hard-core jazz fans. He enlisted a 40-piece string section for sounds that were lingua franca to the disco audiences and such a large part of today's smooth jazz. Jazz musicians, even those we, of the elitist jazz snob schools, look down on, can lead adventurous (and even semi-adventurous) listeners back through history and more importantly prepare them for the inevitable changes the future of jazz will bring.īenson's Breezin relied heavily on producer Tommy LiPuma's tastes in popular music and choice of musicians to accentuate Benson's jazz talents. These musicians provided the sounds of my college years, but also directed me to my future studies in the respected churches of Thelonious Monk, John Coltrane, and Miles Davis. Actually I stayed with all things current of the time including Weather Report, Tom Scott, and of course Grover Washington Jr. I was intrigued by his cover of Charlie Parker's "Billie's Bounce," and started buying Parker LPs. It was certified triple platinum, making it one of the best selling Jazz albums of all time. It not only was a chart topper in the Jazz category but also went to 1 on the pop and R&B charts. I found an old (now out-of-print) George Benson record called Benson Burner (1965) where he played soul jazz and bebop. Breezin is the fifteenth studio album by jazz/soul guitarist and vocalist George Benson. All three piqued my interest, and I followed Mangione back to Art Blakey and Jarreau's version of "Take Five" was my ticket to Brubeck. I was also listening to Chuck Mangione and Al Jarreau. Nonetheless, this Bruce Springsteen rock fan fell for Benson's bluesy guitar sound and wordless vocals. I'm not sure how I stumbled upon his release Breezin', maybe it was its triple-platinum sales or maybe its three Grammy awards. Thanks to George Benson sometime in 1977 I became a jazz fan.
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